![]() In terms of instrumental technique, Heitor Villa-Lobos places the Préludes in a kind of ideal balance point between the still nineteenth-century writing style of the Suite populaire brésilienne and the daring instrumental experimentation of the Douze Études. ![]() They do not constitute a single cycle, but rather a heterogeneous collection, similar in spirit to a collection of pages from an album, with each one developing, in its own individual way, a different stylistic principle. The Cinq Préludes by Heitor Villa-Lobos represent the Brazilian composer's last work for solo guitar and were written in the summer of 1940. String Quartet: 2 violins, viola, cello (19)Įdizione critica di Frédéric Zigante.Woodwind Quintet: flute, oboe, bassoon, clarinet, horn (5).Soli, Mixted choir and accompaniment (1).This is a different pitch (and note) to what is literally written.įor example the final harmonic, written as a E-string 5th-fret A, is played as an E-string 5th-fret harmonic which is an E-pitch note.Ī quick search lead to this publication in which the editor explains what he does to make the notation easier to read (including removing unnecessary sharp/flat symbols and correcting what they believe to be notation/printing errors). If I remember correctly, these harmonics are notated so the written letter is the string and the notated note is the fret - that is, the note that would be produced if the string was fully pressed at that fret. The publication I own gives an editorial for each piece which explains how each harmonic section is played. ![]() ![]() The various publications of Villa Lobos' works are notorious for their non-standard and differing methods of notation, especially for harmonics. ![]()
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